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Fré Drostzaal, t/m 19 september 2021

Freerk Johannes Drost (Groningen 1907 – Vierhouten 1987) wist op de middelbare school al een opdracht in de wacht te slepen om de PR te verzorgen voor een toneeluitvoering. Hij gebruikte daarvoor een grafische techniek, de linosnede. Zijn tekenleraar Jan Gerrit Jordens was een actief lid van de Groninger kunstkring De Ploeg die deze oude techniek in ere herstelde. Een ander Ploeglid, de bekende drukker Hendrik Werkman was door zijn experimenteren met kleuren en lettervormen eveneens een aanstekelijk voorbeeld voor Fré Drost.

Na een opleiding kunstnijverheid en leraar tekenen in Groningen begon Drost een eigen reclamebureau. Zijn eerste grote opdracht kwam in 1928 van een oom die in Elspeet een postkantoor runde. Fré ontwierp toen een toeristische brochure met uitneembare linoleumsneden.

Fré Drost als reclameontwerper

In de jaren ’30 maakte Drost carrière als reclameontwerper bij grote bedrijven als Joh. Enschede en Zonen en Unilever. Fré ontwierp affiches voor de NS en voor bloembollenkwekers en kalenders voor bedrijven als Werkspoor. De affiches vinden anno 2020 nog gretig aftrek.

Bij Unilever kreeg Drost in 1939 de taak om zorg te dragen voor de artistieke kwaliteit van reclamedrukwerk. Later organiseerde hij landelijk bedrijfsopleidingen in reclamevakken en nam daarin het onderdeel grafische kwaliteit voor zijn rekening. Het vrije tekenen en schilderen beoefende Fré Drost in zijn vrije tijd.

Belangrijke periodes voor zijn werk als kunstenaar vormden de Tweede Wereldoorlog en zijn dienst als reserveofficier in Nederlands-Oost Indië. In tijden van krijgsgevangenschap en ondergedoken zijn was hij veel aan het tekenen, schilderen en studeren. Van de verschrikkingen maakte hij een serie indrukwekkende tekeningen.

In 1968 kocht Fré Drost een huis op de grens van Vierhouten en Elspeet. Daar heeft hij in zijn pensioentijd vooral getekend en geschilderd.

Een drievoudig eerbetoon aan Fre Drost

Na zijn overlijden op 80-jarige leeftijd in 1987 is zijn omvangrijke archief door zijn weduwe ondergebracht in de Stichting Vrienden van de kunstenaar Fré J. Drost. Het Noord-Veluws Museum te Nunspeet ontving een selectie kunstwerken als schenking. De Stichting is een ook belangrijke sponsor van het museum.

Als drievoudig eerbetoon is een museumzaal op de eerste verdieping van het Noord-Veluws Museum naar Fré Drost genoemd, waar tot en met 19 september 2021 een expositie van zijn werk wordt gehouden.
Van de hand van auteur Harry Tijssen verschijnt bij Van Spijk Art Books een fraaie uitgave over deze markante graficus en kunstenaar.

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Als gevolg van de beperkingen die voortvloeien uit corona maatregelen van de Rijksoverheid heeft het Noord-Veluws Museum een online expositie gemaakt met een selectie van de werken die in de expositie ten toon zijn gesteld. Klik op bovenstaande afbeelding om naar de expositie te gaan.

Kijkt u op een tablet? Klik dan op Enter Exhibition om de tentoonstellingsruimte binnen te gaan.

Kijkt u op een computer? Klik dan op Start Guided Tour of Enter Exhibition.

In de tentoonstellingsruimte treft u aanwijzingen in de Engelse taal om u zo goed mogelijk door de ruimte te leiden.

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Fré Drostzaal, tot en met 6 juni 2022

Djurre Pieter Duursma (Amsterdam 1888-1965 Den Haag) vormt zichzelf als schilder na tekenlessen op de academie in Antwerpen. Zijn eerste schilderijen zijn impressionistisch van karakter, maar vanaf 1910 worden zijn werken uit Noord-Afrika fauvistisch. Van 1911 tot 1913 schildert Duursma met zijn vriend Harrie Kuyten ‘s zomers in Noorwegen en Zweden, waar hij zich laat beïnvloeden door de expressionist Edvard Munch. In 1916 sluit hij zich in Amsterdam aan bij de beweging De Anderen van Theo Van Doesburg en Erich Wichman. Zijn werk wordt abstracter, schilderijen krijgen geen titels, maar nummers.

Duursma’s verblijf in Vierhouten

In de zomer van 1916 opent Duursma een expositie van schilderijen en etsen in boerderij De Heikijk aan de Elspeterbosweg in Vierhouten. Adriaan Lubbers, een technisch tekenaar die zich graag wil ontwikkelen als beeldend kunstenaar, heeft Duursma en Leo Gestel te logeren gevraagd omdat hij weet dat ze vernieuwend bezig zijn. Violist Dirk Gootjes, lid van het Concertgebouworkest, is ook uitgenodigd vanwege zijn moderne stijl van musiceren.

Duursma maakt in die zomer in ieder geval twee schilderijen van een huisje op de heide, waarschijnlijk ook een werk met de titel ‘vliegende vogel’ en een werk met de naam ‘de kus’. Van Leo Gestel is niet bekend of hij in deze omgeving heeft geschilderd. Lubbers maakt er schetsen die hij later uitwerkt tot schilderijen en Gootjes verzorgt een concert in Nunspeet.

Duursma naar Speuld

In 1917 stuurt Duursma abstract werk in voor een tentoonstelling van De Onafhankelijken in Amsterdam. Op het begeleidende formulier staat als adres vermeld ‘Speuld bij Ermelo’. Daar heeft Duursma met twee andere schilders een schaapskooi ingericht als atelier. Hij richt de schaapskooi ook in als ‘herstellingsoord’ voor een verpleegster, getraumatiseerd door haar werk in Engelse hospitalen tijdens de Eerste Wereldoorlog.

Na 1920 specialiseert Duursma zich in het glas-schilderen en na 1930 bovendien in het ontwerpen en maken van meubels. Helaas is veel werk van Duursma verloren gegaan. Toch is in deze bescheiden presentatie te zien dat Duursma zich in korte tijd wist ontwikkelen tot een vernieuwend en veelzijdig kunstenaar. De expositie wordt aangevuld met werk van Leo Gestel, Adriaan Lubbers, Harrie Kuyten en Louis Saalborn.

Publicatie

Van de hand van Harry Tijssen is bij Van Spijk Art Books een rijk geïllustreerde publicatie verschenen over de bijzondere modernist Djurre Duursma. Deze uitgave is in de museumwinkel te koop voor slechts € 12,50.
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