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23 maart t/m 29 september 2019
De op Java geboren Arthur Briët volgt vanaf 1884 zijn opleiding aan de Koninklijk Academie in Antwerpen waar hij een studiegenoot was van Vincent van Gogh. Briët sluit zijn kunstopleiding in 1888 af met de Prix d’ Excellence. Na een verblijf in Parijs, Italië en België vestigt hij zich in 1892 weer in Nederland. Hij ontdekt Nunspeet op een trektocht vanuit Laren. Vanaf 1893 is hij inwoner van Nunspeet, het kunstenaarsdorp dat zeer in trek was omdat de schilderachtige onderwerpen zich hier in ruime mate aandienden. Hij verblijft afwisselend op het Noord-Brabantse platteland, in Laren en in Nunspeet, waar hij zich ontwikkelt tot een gerenommeerd schilder van verstilde boereninterieurs.
De tentoonstelling geeft een overzicht van het werk van deze kunstenaar, die behalve intieme interieurstukken en sfeervolle landschappen, magistrale portretten schilderde. Briët dankt zijn bijnaam ‘Rembrandt van de Veluwe’ aan het feit dat hij net als zijn wereldberoemde voorganger met een sterk licht-donker contrast in zijn schilderijen werkt. Die speciale techniek is een belangrijk kenmerk van de stijl van Rembrandt, ‘clair-obscur’ genoemd, die weer geïnspireerd was door de bekende Italiaanse schilder Caravaggio. Ook in de hantering van zijn penselen is te zien dat hij veel had geleerd van Rembrandt. Briët combineert net zoals de grote meester zowel een naturalistische en impressionistische penseelstreek.
Briët woont tot zijn overlijden in 1939 in Nunspeet aan de rand van de Zoom. Daar staan de kleine armoedige huisjes van de dagloners, die het onderwerp vormen van zijn schilderijen. Om zelf de regie te houden over de opstelling voor een schilderij richt Briët een ‘schildershut’ op in zijn tuin, een replica van een zo’n boerenvertrek. Later koopt hij zo’n huisje en verplaatst het naar zijn tuin. Zo heeft hij dit huisje altijd als inspiratiebron voor de boerenbinnenhuizen, waarmee hij bekend geworden is. Briët exposeert zijn werk in binnen- en buitenland en verkoopt schilderijen in zowel Sint Petersburg als Parijs. In Nederland is werk van Briët te vinden in het Gemeentemuseum Den Haag, het Centraal Museum te Utrecht, het Drents Museum te Assen, het Singer Laren, het Noord-Veluws Museum en diverse andere musea.
In de tentoonstelling is een prachtige selectie kunstwerken van Arthur Briët te zien uit een tiental museumcollecties en ruim dertig privécollecties.
Bij de tentoonstelling verschijnt Van Spijk Art Books een monografie over Arthur Briët, geschreven door Williëtte Wolters-Groeneveld. Het boek is voor € 29,95 verkrijgbaar in de museumwinkel.
Bekijk hier de recensie van Omroep Gelderland en de bespreking van het werk van Arthur Briët door Piet van Eekelen.
De heer Germen Oosterhof heeft een studie gemaakt van het schilderij ‘Suusje kleden’. Lees zijn boeiende beschrijving op https://verf-en-inkt.blogspot.com/p/blog-page.html
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Promotie ‘Vermoorde kunst’ tentoonstelling in Nunspeet en Elburg
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Blanche, Ima en Chrisje, wereldvrouwen op de Veluwe
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Blanche Douglas Hamilton (1852-1927) woonde en werkte zo’n dertig jaar in Elspeet, waar ze bekend werd als ‘de Engelse juffer’. Teylers Museum in Haarlem had zich ontfermd over haar artistieke nalatenschap. Het grootste deel daarvan schonk het eind 2017 aan het Noord-Veluws Museum. De schenking was een goede aanleiding om een boek over deze kunstenares te maken.
Uit een veelheid van bronnen diepte auteur Kees Verbeek tal van interessante en kleurrijke details op over Hamiltons leven. Daarbij doken steeds twee vriendinnen op, ook actief in deze hoek van de Veluwe: schilder en naaldkunstenaar freule Ima van Eysinga (1872-1958) en schilder Chrisje van der Willigen (1850-1931). Ook over deze twee vrouwen heeft Verbeek opmerkelijke gegevens gevonden. Alle drie schilderden niet alleen op de Veluwe, maar reisden veel en deden daar in hun werk verslag van.
Ter gelegenheid van de presentatie van het boek is deze expositie over de drie kunstenaressen in de RABO zaal te zien.
Boek ‘De juffer, de freule en de vrouwelijke vrouw’
‘De juffer, de freule en de vrije vrouwelijke vrouw’, geschreven door Kees Verbeek, is een rijk geïllustreerd boek van formaat geworden, met veel biografische wetenswaardigheden.
Deze fraaie gebonden uitgave is in de museumwinkel te koop voor € 44,50. 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Pictura Veluvensis – Het Veluwse landschap in beeld
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5 oktober 2019 t/m 15 maart 2020
Samenwerking van twee jubilerende musea
Dit najaar jubileren zowel het Noord-Veluws Museum (5 jaar) als Museum Veluwezoom (25 jaar), twee musea die een beeld geven van de kunstenaarskolonies op de zuidelijke en de noordelijke Veluwe. Een mooi moment op samen op te trekken. Museum Veluwezoom, gevestigd in Kasteel Doorwerth (bij Renkum), organiseert een jubileumtentoonstelling over schilders uit de periode 1900-1940 voor wie de Veluwe als inspiratiebron diende. Het Noord-Veluws Museum brengt een reprise van de expositie van kunstvereniging Pictura Veluvensis die in 1913 in Nunspeet te zien was.
Kunstenaarskolonies
Rond 1900 zijn Renkum en Nunspeet bloeiende kunstenaarskolonies. In Renkum wordt in 1902 zelfs een kunstvereniging opgericht: Pictura Veluvensis. Dat de ‘plein air’ schilders graag naar de Veluwe komen is niet zo verwonderlijk. Het is Nederlands grootste aaneengesloten natuurgebied en bestaat uit heel verschillende landschappen: heidevelden, stuifzanden, bossen, graanakkers, beekdalen, graslanden, waterpoelen en in het zuiden en oosten liggen de rivieren de Rijn en de IJssel.
Landschapsschilders in Museum Veluwezoom
De tentoonstelling in Museum Veluwezoom bestaat uit werken, die op de Veluwe zijn vervaardigd gedurende de periode 1900 – 1940, dezelfde periode wanneer de Renkumse kunstvereniging Pictura Veluvensis (1902-1935) actief is. Kunstschilders Théophile de Bock en Barend Ferwerda waren de drijvende krachten achter de kunstvereniging. Tot de schilders van Pictura Veluvensis horen onder anderen Charles Dankmeijer, Hendrikus van Ingen, Cornelis Kuypers, Xeno Münninghoff en Andries Verleur. Ter gelegenheid van het 25-jarig jubileum maakt Museum Veluwezoom een interessante combinatie van de schilders van de zuidelijke Veluwe met schilders die vooral op de noordelijke Veluwe werkten, zoals Arthur Briët, Marie Wandscheer, Jan van Vuuren, Edzard Koning, Ben Viegers en Jos Lussenburg.
Reprise van de Pictura Veluvensis expositie 1913 in Nunspeet
Pictura Veluvensis beperkte zich niet tot de Veluwezoom. Kunstenaars uit heel Nederland werden uitgenodigd om mee te doen met exposities in Renkum. In 1913 exposeerden de kunstenaars van Pictura Veluvensis voor het eerst buiten Renkum. Het gebeurt in Nunspeet, daartoe gestimuleerd door Edzard Koning, een kunstenaar die er woont en werkt en al vanaf 1906 meedoet aan de tentoonstellingen in Renkum. Anno 2019 herhaalt het Noord-Veluws Museum deze tentoonstelling. De schilderijen van de ruim 50 kunstenaars van toen zijn nu zo veel mogelijk van overal vandaan samengebracht tot een prachtig geheel. Daarop zijn vooral landschappen te zien, maar ook portretten en stillevens. Er zijn een aantal schetsboeken die laten zien hoe schilders geboeid raakten tijdens hun omzwervingen in de vrije natuur. Sommige kunstenaars beschilderden servies, maakten beelden van gips of illustreerden kinderboeken. Het jaar 1913 is in kunsthistorisch opzicht een interessant jaar. In deze tentoonstelling is te zien dat er nog geëxperimenteerd werd met nieuwe varianten op het impressionisme. De vele landschappen geven een prachtig zicht op de Veluwe van meer dan 100 jaar geleden.
Publicatie
In het kader van deze tentoonstellingen is een gezamenlijke jubileumpublicatie uitgebracht onder de titel ‘Pictura Veluvensis. Het Veluwse landschap in beeld’. Prijs € 7.50 in de winkel van het Noord-Veluws Museum en Museum Veluwezoom.
Museum Veluwezoom, 12 oktober 2019 – 26 januari 2020
In Kasteel Doorwerth: Fonteinallee 2B, 6865 ND Doorwerth (026) 339 7406
www.museumveluwezoom.nl
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Arthur Briët ‘Rembrandt van de Veluwe’
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23 maart t/m 29 september 2019
De op Java geboren Arthur Briët volgt vanaf 1884 zijn opleiding aan de Koninklijk Academie in Antwerpen waar hij een studiegenoot was van Vincent van Gogh. Briët sluit zijn kunstopleiding in 1888 af met de Prix d’ Excellence. Na een verblijf in Parijs, Italië en België vestigt hij zich in 1892 weer in Nederland. Hij ontdekt Nunspeet op een trektocht vanuit Laren. Vanaf 1893 is hij inwoner van Nunspeet, het kunstenaarsdorp dat zeer in trek was omdat de schilderachtige onderwerpen zich hier in ruime mate aandienden. Hij verblijft afwisselend op het Noord-Brabantse platteland, in Laren en in Nunspeet, waar hij zich ontwikkelt tot een gerenommeerd schilder van verstilde boereninterieurs.
De tentoonstelling geeft een overzicht van het werk van deze kunstenaar, die behalve intieme interieurstukken en sfeervolle landschappen, magistrale portretten schilderde. Briët dankt zijn bijnaam ‘Rembrandt van de Veluwe’ aan het feit dat hij net als zijn wereldberoemde voorganger met een sterk licht-donker contrast in zijn schilderijen werkt. Die speciale techniek is een belangrijk kenmerk van de stijl van Rembrandt, ‘clair-obscur’ genoemd, die weer geïnspireerd was door de bekende Italiaanse schilder Caravaggio. Ook in de hantering van zijn penselen is te zien dat hij veel had geleerd van Rembrandt. Briët combineert net zoals de grote meester zowel een naturalistische en impressionistische penseelstreek.
Briët woont tot zijn overlijden in 1939 in Nunspeet aan de rand van de Zoom. Daar staan de kleine armoedige huisjes van de dagloners, die het onderwerp vormen van zijn schilderijen. Om zelf de regie te houden over de opstelling voor een schilderij richt Briët een ‘schildershut’ op in zijn tuin, een replica van een zo’n boerenvertrek. Later koopt hij zo’n huisje en verplaatst het naar zijn tuin. Zo heeft hij dit huisje altijd als inspiratiebron voor de boerenbinnenhuizen, waarmee hij bekend geworden is. Briët exposeert zijn werk in binnen- en buitenland en verkoopt schilderijen in zowel Sint Petersburg als Parijs. In Nederland is werk van Briët te vinden in het Gemeentemuseum Den Haag, het Centraal Museum te Utrecht, het Drents Museum te Assen, het Singer Laren, het Noord-Veluws Museum en diverse andere musea.
In de tentoonstelling is een prachtige selectie kunstwerken van Arthur Briët te zien uit een tiental museumcollecties en ruim dertig privécollecties.
Bij de tentoonstelling verschijnt Van Spijk Art Books een monografie over Arthur Briët, geschreven door Williëtte Wolters-Groeneveld. Het boek is voor € 29,95 verkrijgbaar in de museumwinkel.
Bekijk hier de recensie van Omroep Gelderland en de bespreking van het werk van Arthur Briët door Piet van Eekelen.
De heer Germen Oosterhof heeft een studie gemaakt van het schilderij ‘Suusje kleden’. Lees zijn boeiende beschrijving op https://verf-en-inkt.blogspot.com/p/blog-page.html
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Zomer-expositie Marjolein Bastin
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filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”false” border_position=”all” first=”true” spacing_right=”” type=”1_2″][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”default” rule_size=”” rule_color=”” content_alignment_medium=”” content_alignment_small=”” content_alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” font_size=”” fusion_font_family_text_font=”” fusion_font_variant_text_font=”” line_height=”” letter_spacing=”” text_color=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]Voortbordurend op het succes van de Marjolein Bastin tentoonstelling in het Noord-Veluws Museum wordt in de zomermaanden juli en augustus in het lokaal aan de voorzijde van de Vrije Academie een expositie ingericht met 30 originele aquarellen van Marjolein Bastin. De aquarellen zijn speciaal geselecteerd rond de thema’s ‘zomer’ en ‘Veluwe’. Hiermee krijgen bezoekers van Nunspeet, met name toeristen, deze zomer nog de gelegenheid van haar unieke werk te genieten. Marjolein Bastin wordt haar hele leven al gegrepen door de schoonheid van de natuur. Zij brengt met haar schitterende tekeningen al meer dan veertig jaar de natuur dichtbij de mensen, onder andere via haar vaste rubriek in het weekblad Libelle. Bastins werk is internationaal bekend geworden, haar wenskaarten gaan de hele wereld over. Ook aan de kinderen is gedacht, speciaal voor hen krijgt het beroemde Vera de Muis huis een plek in het prachtige oude schoolgebouw dat dateert uit 1904.
Zomer-expositie Marjolein Bastin is van dinsdag 2 juli t/m zaterdag 31 augustus 2019 te zien in de Vrije Academie, met toegang aan de Stationslaan 28, Nunspeet. Openingstijden: dinsdag, donderdag, vrijdag en zaterdag van 13.00 en 17.00 uur. De entree is gratis.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”true” border_position=”all” first=”false” type=”1_2″][fusion_imageframe image_id=”3858|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/Distelvinken-2013-C-Marjolein-Bastin-e1595855413142.jpg[/fusion_imageframe][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]
Gaby Bovelander (1931 – 2020)
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Gaby woont vanaf 1946 op Kasteel Staverden, waar haar vader directeur is van een vakantieoord. In 1953 voltooit zij de kunstacademie in Arnhem. Zij kiest de richting beeldhouwkunst, maar stapt over naar de afdeling Monumentale Kunst en Glas-in-Lood. Vanuit Staverden komt zij begin jaren vijftig van de vorige eeuw in contact met de schilders van de Noordwest Veluwe, zoals Ima van Eysinga, maar ook Jos Lussenburg en Chris ten Bruggen Kate.
Bovelander voert veel monumentale opdrachten uit. Ze maakt wandschilderingen, sgraffiti en glas-in-lood ramen. En ze ontwerp wand- en vloerkleden voor de raadhuizen in Apeldoorn en Epe. In 1965 verhuist zij naar Hoog Soeren na een korte tussenstop in Apeldoorn.
In haar eerste periode als schilder maakt zij magisch realistische schilderijen. Desolate landschappen worden bevolkt door fantasiefiguren en – vormen. Daarna komt er een periode van het deformeren, vooral in honderden tekeningen. Eind jaren zeventig breekt de ‘lyrisch abstracte’ periode aan en vervolgens maakt zij de serie ‘witte’ schilderijen. Sinds 2010 maakt Gaby digitale kunst. Kenmerkend voor haar beeldend werk is dat Gaby Bovelander zich altijd probeert te vernieuwen, zowel in techniek als in onderwerp.
In juni 2019 mocht het Noord-Veluws Museum een schenking van ruim dertig kunstwerken van de kunstenaar in ontvangst nemen. Een selectie van de geschonken schilderijen en tekeningen wordt in de Rabozaal gepresenteerd.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”true” border_position=”all” first=”false” type=”1_2″][fusion_imageframe image_id=”3895|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/S00523_346.jpg[/fusion_imageframe][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” flex_grow=”0″ top_margin=”50px” bottom_margin=”” width=”” alignment=”center” border_size=”” sep_color=”” icon=”” icon_size=”” icon_color=”” icon_circle=”” icon_circle_color=”” /][fusion_imageframe image_id=”3894|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/S00507_056.jpg[/fusion_imageframe][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]
BRAVO! Gecertificeerden van de Vrije Academie Nunspeet 2019
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Als afsluiting van hun opleiding presenteren de gecertificeerde kunstenaars hun werk in de Rabozaal. Deze presentatie is een mooi voorbeeld van het samenwerkingsverband tussen de naburige Vrije Academie en het Noord-Veluws Museum.
Werneck van Haselen, Carin Janssen en Zwanet Kroese – de Graaf hebben hun opleiding voltooid bij Serob Darbinian, docent Academisch Tekenen en Schilderen.
Willy Boonen, Loes Kik – Schouten, Gabby de Muralt, Nynke Vrij en Liesbeth Werink zullen hun certificaat Schilderen ontvangen van Gerben Koldijk, docent Schilderen.
Bij Michel Bongertman, docent Kunst Ruimtelijk, heeft Jan Schaafsma zijn certificaat behaald.
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Blanche Douglas Hamilton, ‘buitenkrabbels en reisschetsen’
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In het Noord-Veluws Museum in Nunspeet is van 6 april t/m 2 juni 2019 een selectie te zien uit de ruim 200 tekeningen die Teylers Museum Haarlem eind 2017 aan het Noord-Veluws Museum heeft geschonken. De Engelse kunstenares Blanche Douglas Hamilton (1853-1927) vestigde zich in 1896 of 1897 in het dorpje Elspeet.
De meeste van haar tekeningen laten het landleven op de Veluwe zien, waar zij lang woonde en werkte. Bij mooi weer tekende ze buiten. Veel van haar tekeningen hebben Elspeet als onderwerp: Elspeetse boerderijen met schaapskooien en kudden schapen, Elspeetse kinderen en vrouwen in klederdracht, wolspinnend of bezig bij de waterpomp, interieurs met ‘de haard’ enzovoorts. Maar ook zijn er veel tekeningen van haar reizen in België, Frankrijk en Israël. Douglas Hamilton woonde begin jaren 1890 een tijdje in Dordrecht, waar zij lessen nam van Ronald Larij en zij was o.a. ook werkzaam in het naburige schildersdorp Rijsoord.
Herkomst schenking
De schenking vormde een prachtige verrijking van de collectie Noord-Veluwse kunstenaars van het Noord-Veluws Museum. Een recent gevonden brief van de uit Haarlem afkomstige kunstenares Chrisje van der Willigen aan Ima van Eysinga verklaart de aanwezigheid van deze collectie tekeningen in Teylers Museum. De oom van Chrisje van der Willigen was er beheerder van het Fysisch Kabinet (1864-1878). Van der Willigen verbleef ook jaren lang in Nunspeet, waar zij optrok met Douglas Hamilton en Van Eysinga. Door haar relatie met Teylers Museum stelt zij in de brief voor dat Van Eysinga de collectie tekeningen na het overlijden van de kunstenares in 1927 in dat museum onderbrengt.
Eerdere bruikleen
In Teylers Museum verlieten de tekeningen van de Engelse kunstenares amper het depot. Het Noord-Veluws Museum had in 2015 enkele tekeningen van Blanche Douglas Hamilton in bruikleen van Teylers Museum voor de tentoonstelling Schapenschilders. Ook voor de tentoonstelling Vrouwen Uit de kunst! in 2017-2018 gaf Teylers Museum tekeningen van Douglas Hamilton in bruikleen.
Twee schilderessen
Van het einde van de negentiende eeuw tot in het begin van de twintigste eeuw bezoekt een groot aantal schilders het afgelegen dorpje Elspeet om er naar de natuur te schetsen, te tekenen of te schilderen. De heidevelden met schaapherders, schaapskudden en schaapskooien en de op het land werkende mens met paard of os en de houtakkers in de uitgestrekte bossen zijn inspiratiebronnen voor deze schilders. De meesten van deze schilders zoeken een onderdak bij pension Mouw, of bij hotel Bossenbroek. Voor de winter vertrekken ze weer naar hun riante onderkomens met ruime ateliers in Den Haag of elders.
Slechts twee schilderessen zijn dertig tot veertig jaar `echte’ inwoonsters van Elspeet geweest. De twee heel bijzondere vrouwen, die het zolang uithouden in deze kleine dorpsgemeenschap zijn: Jonkvrouw E.H.J. (Ima) van Eysinga en Miss Blanche Douglas Hamilton.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” type=”1_2″ order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” 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filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”no” border_position=”all”][fusion_imageframe image_id=”2650|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2014/10/Ima-van-Eysinga-Portret-Douglas-Hamilton-Teylers-Museum.jpg[/fusion_imageframe][/fusion_builder_column][fusion_builder_column type=”1_3″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” type=”1_3″ order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” 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filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/03/Douglas-Hamilton_Gezicht-op-de-Dome-of-the-Rockop-de-Tempelberg-in-Jeruzalem-1925-e1595956582731.jpg[/fusion_imageframe][/fusion_builder_column][fusion_builder_column type=”1_3″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” type=”1_3″ order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” 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Marjolein Bastin – Tekenen is ademen
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Ter gelegenheid van het jubileumjaar van Marjolein Bastin (1943) organiseert het Noord-Veluws Museum een grote tentoonstelling van haar originele aquarellen. Marjolein Bastin wordt haar hele leven al gegrepen door de schoonheid van de natuur. Zij brengt met haar schitterende tekeningen al meer dan veertig jaar de natuur dichtbij de mensen, onder andere via haar vaste rubriek in het weekblad Libelle.
In haar jeugd raakte Marjolein Bastin geïnspireerd door de boeken van natuurbeschermer Jac. P. Thijsse en de Verkade-albumplaatjes. Na de kunstacademie in Arnhem heeft Marjolein Bastin zich toegelegd op illustreren. Geen kunstenaar ging in de jaren zestig naturalistisch tekenen en aquarelleren, maar dat was precies wat Marjolein Bastin wilde: “omdat ik de drang voelde om datgene waar ik zo verrukt van was, niet weg te laten glippen.” Haar liefdevolle observaties van de natuur weet zij zorgvuldig vast te leggen in kleurrijke voorstellingen. Vogel, grasspriet, torretje of boomstam, alles krijgt dezelfde aandacht.
Met de Veluwe heeft zij een speciale band. Ze woont al bijna haar hele leven op de Veluwe, waar ze haar inspiratie vandaan haalt. “Ik voel me hier erg thuis. Het is een rijk gebied waar je van alles kunt zien, ruiken, voelen en meemaken.”
Hoewel Bastins werk internationaal bekend is geworden, zijn de originele aquarellen zelden te zien. Het Noord-Veluws Museum biedt dit najaar de unieke gelegenheid om ruim 120 originele werken van dichtbij te bewonderen. In de tentoonstelling zal er veel nieuw werk van haar hand te zien zijn. Behalve tekeningen zijn ook authentieke spulletjes van de kunstenares te zien, zoals een vogelnestje met eitjes, haar tekenmaterialen en oude (natuur)boekjes van Jac. P. Thijsse.
Vera de Muis
Voor kinderen is de tentoonstelling een aanrader, want Vera de Muis, een populaire creatie van Marjolein Bastin, is ook te zien in het museum! Bij het Vera de Muishuis hangen meer dan 20 originele Vera de Muistekeningen, die Bastin voor de vele kinderboeken maakte. Je kunt ook zelf gaan tekenen of de speciale Vera de Muiskleurplaten kleuren!
Lezing Nico de Haan
Op donderdag 21 februari 2019 om 20.00 uur (uitverkocht) en dinsdag 12 maart (nog plaatsen beschikbaar) geeft vogelkenner en vogelbeschermer Nico de Haan een lezing over vogels in het Noord-Veluws Museum.
Meer informatie
Bezoek ook de speciaal ingerichte Marjolein Bastin winkel![/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”true” border_position=”all” first=”false” type=”1_2″][fusion_imageframe image_id=”3273|large” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2018/08/Marjolein-Bastin-Uilen-1024×715.jpg[/fusion_imageframe][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]
Meester-Leerling 50 jaar Vrije Academie voor Beeldende Kunst Nunspeet
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In Nunspeet is sprake van een unieke situatie, de academie voor beeldende kunsten en het museum direct aan elkaar gekoppeld. Kunst uit het verleden en het heden, het maken en het kijken, bijna in één gebouw. In 2018 bestaat de Vrije Academie Nunspeet 50 jaar! Ter gelegenheid van het jubileumjaar is er in het museum een overzichtstentoonstelling van kunstenaars-docenten die in de afgelopen 50 jaar les hebben gegeven aan de Vrije Academie. Tegelijk vindt in de academie het interactieve ‘waslijnproject’ plaats, waar de bezoeker (tot en met 28 augustus) de gelegenheid krijgt om zelf als schilder in actie te komen.
De Stichting Vrije Academie voor Beeldende Kunsten Nunspeet is opgericht in 1968 door een aantal uitvoerend kunstenaars uit Nunspeet en opgezet als een werkplaats voor beeldende kunst. Rond 1900 was Nunspeet een kunstenaarskolonie en tot ver in de 20e eeuw was de omringende natuur voor menig kunstenaar een ware inspiratiebron. Toen de toeloop van kunstenaars – mede door de ontwikkelingen in de moderne kunst – naar dit gebied minder werd, besloot een aantal van hen een “kunstschool” voor volwassenen op te richten, om zo meer mensen te interesseren voor de schone kunsten. Deze school vond onderdak in het oude schoolgebouw aan de Stationslaan. Jaarlijks nemen bijna 300 mensen deel aan lessen schilderen, beeldhouwen of academisch tekenen en schilderen om zo hun kunstzinnige aanleg verder te ontwikkelen, onder leiding van ervaren uitvoerend kunstenaars–docenten.
In de verrassende tentoonstelling is werk te zien van de oprichters Jaap Hiddink, Cor Vrendenberg, Guus Sundermeijer, Jos Lussenburg en Chris ten Bruggen Kate, maar ook van de latere opvolgers zoals Robert Bosari, Ingeborg ten Hoopen, Linda Verkaaik én van de huidige kunstenaars-docenten van de Vrije Academie. Om 50 jaar lesgeven in beeld te brengen hebben een aantal ‘meesters’ een gecertificeerde leerling gekozen, waarvan ook werk te zien is in deze tentoonstelling.
Lees meer over het ‘Waslijn’ project tijdens deze tentoonstelling.
Speciaal bij deze jubileumtentoonstelling is een boeiende en rijk geïllustreerde publicatie ‘Meester-Leerling. 50 jaar Vrije Academie Nunspeet’ verschenenē
Uitgeverij Nunspeet
Eindredactie: Monique van Loozenoord
Vormgeving: Anthea Simmonds
Het boek is in de Museumwinkel verkrijgbaar voor € 19,95.
De jubileumexpositie is mogelijk gemaakt mede dankzij substantiële financiële bijdragen van het Van den Broek Lohman Fonds Nunspeet en de Adriana Hoogenboom Stichting. De bij de expositie behorende uitgave is mede mogelijk gemaakt door het Van den Broek Lohman Fonds Nunspeet.
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