Gaby Bovelander

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Tot en met 26 juni 2022 is in het Noord-Veluws Museum een overzichtstentoonstelling te zien van beeldend kunstenaar Gaby Bovelander, die op 17 september 2020 in haar atelierwoning in Hoog Soeren overleed. In 2019 deed Bovelander nog een ruimhartige schenking van dertig werken aan het Noord-Veluws Museum.

Na haar jeugd doorgebracht te hebben in Indonesië waar ze van 1942 tot 1945 in Japanse interneringskampen verbleef, woonde Gaby vanaf 1946 op Kasteel Staverden bij Elspeet, waar haar vader directeur was van een vakantieoord. Vanuit Staverden kwam zij begin jaren vijftig van de vorige eeuw in contact met de schilders in Elspeet en Nunspeet, zoals Ima van Eysinga, Jos Lussenburg en Chris ten Bruggen Kate. In 1953 voltooide zij de kunstacademie in Arnhem, afdeling Monumentale Kunst en Glas-in-Lood. Bovelander voerde veel opdrachten uit voor wandschilderingen in scholen en fabrieken, sgraffiti en wandkleden. In 1965 verhuisde zij naar Hoog Soeren. Het jaar erop nam zij het initiatief om in Apeldoorn een ‘kunstschool’ op te richten, het centrum voor kunsteducatie dat later uitgroeide tot ‘Gigant, Markant in cultuur’. Gaby Bovelander was een geliefd docent en begeleidde tot op hoge leeftijd groepen op haar atelier in Hoog Soeren. Bovenal was zij een gepassioneerd kunstenaar die zich altijd probeerde te vernieuwen, zowel in techniek als in onderwerp.

In Gaby’s eerste periode als schilder is het surrealisme richting gevend geweest. Het werd haar eigen magisch-realistische stijl, één die zeer herkenbaar is. Desolate landschappen, die bevolkt werden door ‘fantastische’ figuren en vormen. Haar kleurgebruik is dan nog enigszins gedekt: zandkleuren en blauwen. Minutieus schilderen in olieverf en tekenen met potlood op verschillende dragers. De basiskennis van het tekenen is voor haar essentieel. Een compositie, een figuur staat of valt met de juiste opbouw.

Daarna kwam er een periode van deformeren. Gaby borduurde voort op haar honderden tekeningen: katten, honden, muizen, eenden, kikkers, slakken, en ook mensjes. Ze roepen soms  humor en vrolijkheid op. Vervolgens brak de ‘lyrisch abstracte’ periode aan. Abstracte, sobere werken met krachtige composities, waarin subtiel herkenbare vormen terugkeren.

Als het schilderen fysiek te zwaar wordt, kiest Gaby er voor om over te gaan op digitale kunst. Met diverse computerprogramma’s weet zij dan weer haar zo kenmerkende beeldtaal vorm te geven. In 2016 verschijnt haar boek: Banjoe Biroe 10, over het interneringskamp op Java waar Gaby van haar elfde tot haar veertiende jaar samen met haar moeder opgesloten zat. Jaren van ontbering die we later steeds in diverse vormen zien terugkeren in haar werk.

Op de website van CODA Apeldoorn wordt eveneens aandacht besteed aan Gaby Bovelander.

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Van de hand van Lies van de Beek is bij Van Spijk Art Books de monografie Gaby Bovelander – Wie licht blijft zien, loopt nooit in duisternis, verschenen.

Deze fraaie uitgave is in de museumwinkel te koop voor € 29,50.

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