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23 maart t/m 29 september 2019

De op Java geboren Arthur Briët volgt vanaf 1884 zijn opleiding aan de Koninklijk Academie in Antwerpen waar hij een studiegenoot was van Vincent van Gogh. Briët sluit zijn kunstopleiding in 1888 af met de Prix d’ Excellence. Na een verblijf in Parijs, Italië en België vestigt hij zich in 1892 weer in Nederland. Hij ontdekt Nunspeet op een trektocht vanuit Laren. Vanaf 1893 is hij inwoner van Nunspeet, het kunstenaarsdorp dat zeer in trek was omdat de schilderachtige onderwerpen zich hier in ruime mate aandienden. Hij verblijft afwisselend op het Noord-Brabantse platteland, in Laren en in Nunspeet, waar hij zich ontwikkelt tot een gerenommeerd schilder van verstilde boereninterieurs.

De tentoonstelling geeft een overzicht van het werk van deze kunstenaar, die behalve intieme interieurstukken en sfeervolle landschappen, magistrale portretten schilderde. Briët dankt zijn bijnaam ‘Rembrandt van de Veluwe’ aan het feit dat hij net als zijn wereldberoemde voorganger met een sterk licht-donker contrast in zijn schilderijen werkt. Die speciale techniek is een belangrijk kenmerk van de stijl van Rembrandt, ‘clair-obscur’ genoemd, die weer geïnspireerd was door de bekende Italiaanse schilder Caravaggio. Ook in de hantering van zijn penselen is te zien dat hij veel had geleerd van Rembrandt. Briët combineert net zoals de grote meester zowel een naturalistische en impressionistische penseelstreek.

Briët woont tot zijn overlijden in 1939 in Nunspeet aan de rand van de Zoom. Daar staan de kleine armoedige huisjes van de dagloners, die het onderwerp vormen van zijn schilderijen. Om zelf de regie te houden over de opstelling voor een schilderij richt Briët een ‘schildershut’ op in zijn tuin, een replica van een zo’n boerenvertrek. Later koopt hij zo’n huisje en verplaatst het naar zijn tuin. Zo heeft hij dit huisje altijd als inspiratiebron voor de boerenbinnenhuizen, waarmee hij bekend geworden is. Briët exposeert zijn werk in binnen- en buitenland en verkoopt schilderijen in zowel Sint Petersburg als Parijs. In Nederland is werk van Briët te vinden in het Gemeentemuseum Den Haag, het Centraal Museum te Utrecht, het Drents Museum te Assen, het Singer Laren, het Noord-Veluws Museum en diverse andere musea.

In de tentoonstelling is een prachtige selectie kunstwerken van Arthur Briët te zien uit een tiental museumcollecties en ruim dertig privécollecties.

Bij de tentoonstelling verschijnt Van Spijk Art Books een monografie over Arthur Briët, geschreven door Williëtte Wolters-Groeneveld. Het boek is voor € 29,95 verkrijgbaar in de museumwinkel.

Bekijk hier de recensie van Omroep Gelderland en de bespreking van het werk van Arthur Briët door Piet van Eekelen.

De heer Germen Oosterhof heeft een studie gemaakt van het schilderij ‘Suusje kleden’. Lees zijn boeiende beschrijving op https://verf-en-inkt.blogspot.com/p/blog-page.html

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[fusion_builder_container type=”flex” hundred_percent=”no” hundred_percent_height=”no” min_height=”” hundred_percent_height_scroll=”no” align_content=”stretch” flex_align_items=”flex-start” flex_justify_content=”flex-start” flex_column_spacing=”” hundred_percent_height_center_content=”yes” equal_height_columns=”no” container_tag=”div” menu_anchor=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” status=”published” publish_date=”” class=”” id=”” link_color=”” link_hover_color=”” border_sizes=”” border_sizes_top=”” border_sizes_right=”” border_sizes_bottom=”” border_sizes_left=”” border_color=”” border_style=”solid” spacing_medium=”” margin_top_medium=”” margin_bottom_medium=”” spacing_small=”” margin_top_small=”” margin_bottom_small=”” margin_top=”” margin_bottom=”” padding_dimensions_medium=”” padding_top_medium=”” padding_right_medium=”” padding_bottom_medium=”” padding_left_medium=”” padding_dimensions_small=”” padding_top_small=”” padding_right_small=”” padding_bottom_small=”” padding_left_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” box_shadow=”no” box_shadow_vertical=”” box_shadow_horizontal=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” z_index=”” overflow=”” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_position=”center center” background_repeat=”no-repeat” fade=”no” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_blend_mode=”none” video_mp4=”” video_webm=”” video_ogv=”” video_url=”” video_aspect_ratio=”16:9″ video_loop=”yes” video_mute=”yes” video_preview_image=”” absolute=”off” absolute_devices=”small,medium,large” sticky=”off” sticky_devices=”small-visibility,medium-visibility,large-visibility” sticky_background_color=”” sticky_height=”” sticky_offset=”” sticky_transition_offset=”0″ scroll_offset=”0″ animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″][fusion_builder_row][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”false” border_position=”all” first=”true” spacing_right=”” type=”1_2″][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”default” rule_size=”” rule_color=”” content_alignment_medium=”” content_alignment_small=”” content_alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” font_size=”” fusion_font_family_text_font=”” fusion_font_variant_text_font=”” line_height=”” letter_spacing=”” text_color=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]20 juli t/m 10 november 2019 in de Rabozaal

Gaby woont vanaf 1946 op Kasteel Staverden, waar haar vader directeur is van een vakantieoord. In 1953 voltooit zij de kunstacademie in Arnhem. Zij kiest de richting beeldhouwkunst, maar stapt over naar de afdeling Monumentale Kunst en Glas-in-Lood. Vanuit Staverden komt zij begin jaren vijftig van de vorige eeuw in contact met de schilders van de Noordwest Veluwe, zoals Ima van Eysinga, maar ook Jos Lussenburg en Chris ten Bruggen Kate.
Bovelander voert veel monumentale opdrachten uit. Ze maakt wandschilderingen, sgraffiti en glas-in-lood ramen. En ze ontwerp wand- en vloerkleden voor de raadhuizen in Apeldoorn en Epe. In 1965 verhuist zij naar Hoog Soeren na een korte tussenstop in Apeldoorn.
In haar eerste periode als schilder maakt zij magisch realistische schilderijen. Desolate landschappen worden bevolkt door fantasiefiguren en – vormen. Daarna komt er een periode van het deformeren, vooral in honderden tekeningen. Eind jaren zeventig breekt de ‘lyrisch abstracte’ periode aan en vervolgens maakt zij de serie ‘witte’ schilderijen. Sinds 2010 maakt Gaby digitale kunst. Kenmerkend voor haar beeldend werk is dat Gaby Bovelander zich altijd probeert te vernieuwen, zowel in techniek als in onderwerp.
In juni 2019 mocht het Noord-Veluws Museum een schenking van ruim dertig kunstwerken van de kunstenaar in ontvangst nemen. Een selectie van de geschonken schilderijen en tekeningen wordt in de Rabozaal gepresenteerd.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”true” border_position=”all” first=”false” type=”1_2″][fusion_imageframe image_id=”3895|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/S00523_346.jpg[/fusion_imageframe][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” flex_grow=”0″ top_margin=”50px” bottom_margin=”” width=”” alignment=”center” border_size=”” sep_color=”” icon=”” icon_size=”” icon_color=”” icon_circle=”” icon_circle_color=”” /][fusion_imageframe image_id=”3894|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/S00507_056.jpg[/fusion_imageframe][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]

[fusion_builder_container type=”flex” hundred_percent=”no” hundred_percent_height=”no” min_height=”” hundred_percent_height_scroll=”no” align_content=”stretch” flex_align_items=”flex-start” flex_justify_content=”flex-start” flex_column_spacing=”” hundred_percent_height_center_content=”yes” equal_height_columns=”no” container_tag=”div” menu_anchor=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” status=”published” publish_date=”” class=”” id=”” link_color=”” link_hover_color=”” border_sizes=”” border_sizes_top=”” border_sizes_right=”” border_sizes_bottom=”” border_sizes_left=”” border_color=”” border_style=”solid” spacing_medium=”” margin_top_medium=”” margin_bottom_medium=”” spacing_small=”” margin_top_small=”” margin_bottom_small=”” margin_top=”” margin_bottom=”” padding_dimensions_medium=”” padding_top_medium=”” padding_right_medium=”” padding_bottom_medium=”” padding_left_medium=”” padding_dimensions_small=”” padding_top_small=”” padding_right_small=”” padding_bottom_small=”” padding_left_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” box_shadow=”no” box_shadow_vertical=”” box_shadow_horizontal=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” z_index=”” overflow=”” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_position=”center center” background_repeat=”no-repeat” fade=”no” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_blend_mode=”none” video_mp4=”” video_webm=”” video_ogv=”” video_url=”” video_aspect_ratio=”16:9″ video_loop=”yes” video_mute=”yes” video_preview_image=”” absolute=”off” absolute_devices=”small,medium,large” sticky=”off” sticky_devices=”small-visibility,medium-visibility,large-visibility” sticky_background_color=”” sticky_height=”” sticky_offset=”” sticky_transition_offset=”0″ scroll_offset=”0″ animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″][fusion_builder_row][fusion_builder_column type=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” type=”1_2″ order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”no” border_position=”all”][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”default” rule_size=”” rule_color=”” content_alignment_medium=”” content_alignment_small=”” content_alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” font_size=”” fusion_font_family_text_font=”” fusion_font_variant_text_font=”” line_height=”” letter_spacing=”” text_color=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]6 april t/m 2 juni 2019 in de Rabozaal

In het Noord-Veluws Museum in Nunspeet is van 6 april t/m 2 juni 2019 een selectie te zien uit de ruim 200 tekeningen die Teylers Museum Haarlem eind 2017 aan het Noord-Veluws Museum heeft geschonken. De Engelse kunstenares Blanche Douglas Hamilton (1853-1927) vestigde zich in 1896 of 1897 in het dorpje Elspeet.

De meeste van haar tekeningen laten het landleven op de Veluwe zien, waar zij lang woonde en werkte. Bij mooi weer tekende ze buiten. Veel van haar tekeningen hebben Elspeet als onderwerp: Elspeetse boerderijen met schaapskooien en kudden schapen, Elspeetse kinderen en vrouwen in klederdracht, wolspinnend of bezig bij de waterpomp, interieurs met ‘de haard’ enzovoorts. Maar ook zijn er veel tekeningen van haar reizen in België, Frankrijk en Israël. Douglas Hamilton woonde begin jaren 1890 een tijdje in Dordrecht, waar zij lessen nam van Ronald Larij en zij was o.a. ook werkzaam in het naburige schildersdorp Rijsoord.

Herkomst schenking
De schenking vormde een prachtige verrijking van de collectie Noord-Veluwse kunstenaars van het Noord-Veluws Museum. Een recent gevonden brief van de uit Haarlem afkomstige kunstenares Chrisje van der Willigen aan Ima van Eysinga verklaart de aanwezigheid van deze collectie tekeningen in Teylers Museum. De oom van Chrisje van der Willigen was er beheerder van het Fysisch Kabinet (1864-1878). Van der Willigen verbleef ook jaren lang in Nunspeet, waar zij optrok met Douglas Hamilton en Van Eysinga. Door haar relatie met Teylers Museum stelt zij in de brief voor dat Van Eysinga de collectie tekeningen na het overlijden van de kunstenares in 1927 in dat museum onderbrengt.

Eerdere bruikleen
In Teylers Museum verlieten de tekeningen van de Engelse kunstenares amper het depot. Het Noord-Veluws Museum had in 2015 enkele tekeningen van Blanche Douglas Hamilton in bruikleen van Teylers Museum voor de tentoonstelling Schapenschilders. Ook voor de tentoonstelling Vrouwen Uit de kunst! in 2017-2018 gaf Teylers Museum tekeningen van Douglas Hamilton in bruikleen.

Twee schilderessen
Van het einde van de negentiende eeuw tot in het begin van de twintigste eeuw bezoekt een groot aantal schilders het afgelegen dorpje Elspeet om er naar de natuur te schetsen, te tekenen of te schilderen. De heidevelden met schaapherders, schaapskudden en schaapskooien en de op het land werkende mens met paard of os en de houtakkers in de uitgestrekte bossen zijn inspiratiebronnen voor deze schilders. De meesten van deze schilders zoeken een onderdak bij pension Mouw, of bij hotel Bossenbroek. Voor de winter vertrekken ze weer naar hun riante onderkomens met ruime ateliers in Den Haag of elders.
Slechts twee schilderessen zijn dertig tot veertig jaar `echte’ inwoonsters van Elspeet geweest. De twee heel bijzondere vrouwen, die het zolang uithouden in deze kleine dorpsgemeenschap zijn: Jonkvrouw E.H.J. (Ima) van Eysinga en Miss Blanche Douglas Hamilton.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” type=”1_2″ order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” 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In Nunspeet is sprake van een unieke situatie, de academie voor beeldende kunsten en het museum direct aan elkaar gekoppeld. Kunst uit het verleden en het heden, het maken en het kijken, bijna in één gebouw. In 2018 bestaat de Vrije Academie Nunspeet 50 jaar! Ter gelegenheid van het jubileumjaar is er in het museum een overzichtstentoonstelling van kunstenaars-docenten die in de afgelopen 50 jaar les hebben gegeven aan de Vrije Academie. Tegelijk vindt in de academie het interactieve ‘waslijnproject’ plaats, waar de bezoeker (tot en met 28 augustus) de gelegenheid krijgt om zelf als schilder in actie te komen.

De Stichting Vrije Academie voor Beeldende Kunsten Nunspeet is opgericht in 1968 door een aantal uitvoerend kunstenaars uit Nunspeet en opgezet als een werkplaats voor beeldende kunst. Rond 1900 was Nunspeet een kunstenaarskolonie en tot ver in de 20e eeuw was de omringende natuur voor menig kunstenaar een ware inspiratiebron. Toen de toeloop van kunstenaars – mede door de ontwikkelingen in de moderne kunst – naar dit gebied minder werd, besloot een aantal van hen een “kunstschool” voor volwassenen op te richten, om zo meer mensen te interesseren voor de schone kunsten. Deze school vond onderdak in het oude schoolgebouw aan de Stationslaan. Jaarlijks nemen bijna 300 mensen deel aan lessen schilderen, beeldhouwen of academisch tekenen en schilderen om zo hun kunstzinnige aanleg verder te ontwikkelen, onder leiding van ervaren uitvoerend kunstenaars–docenten.

In de verrassende tentoonstelling is werk te zien van de oprichters Jaap Hiddink, Cor Vrendenberg, Guus Sundermeijer, Jos Lussenburg en Chris ten Bruggen Kate, maar ook van de latere opvolgers zoals Robert Bosari, Ingeborg ten Hoopen, Linda Verkaaik én van de huidige kunstenaars-docenten van de Vrije Academie. Om 50 jaar lesgeven in beeld te brengen hebben een aantal ‘meesters’ een gecertificeerde leerling gekozen, waarvan ook werk te zien is in deze tentoonstelling.

Lees meer over het ‘Waslijn’ project tijdens deze tentoonstelling.

Speciaal bij deze jubileumtentoonstelling is een boeiende en rijk geïllustreerde publicatie ‘Meester-Leerling. 50 jaar Vrije Academie Nunspeet’ verschenenē

Uitgeverij Nunspeet

Eindredactie: Monique van Loozenoord

Vormgeving: Anthea Simmonds

Het boek is in de Museumwinkel verkrijgbaar voor  € 19,95.

De jubileumexpositie is mogelijk gemaakt mede dankzij substantiële financiële bijdragen van het Van den Broek Lohman Fonds Nunspeet en de Adriana Hoogenboom Stichting. De bij de expositie behorende uitgave is mede mogelijk gemaakt door het Van den Broek Lohman Fonds Nunspeet.

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26 mei t/m 2 september 2018

Als afsluiting van hun opleiding presenteren vier gecertificeerde kunstenaars hun werk in de Rabozaal van het Noord-Veluws Museum.

Marjan Wijnholds-Dost laat in een serie symbolisch-realistische schilderijen haar visie op de Schepping zien. Deliana Jansen-Meurs exposeert vijf realistisch geschilderde portretten van mensen in verschillende levensfases. Nanda Vlaming-Smit toont haar serie schilderijen ‘De Zee, een wereld van Licht, Kleur en Atmosfeer!’.

Greet Tamminga behaalt haar eindcertificaat bij docent Gerben Koldijk met een serie dynamische schilderijen over dans. Deliana Jansen-Meurs, Nanda Vlaming-Smit en Marjan Wijnholds-Dost behaalden hun eindcertificaat Academisch tekenen en schilderen bij docent Serob Darbinian.

De gecertificeerden, van links naar rechts: Nanda Vlaming, Greet Tamminga, Marjan Wijnholds en Deliana Jansen

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