Jaap Hiddink, thuis in Nunspeet

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t/m 28 november 2021

Jaap Hiddink (Nunspeet 1910-2000) heeft zijn lange leven in kunstenaarsdorp Nunspeet gewerkt. Menig kunstliefhebber in deze regio herinnert zich misschien nog de laatste expositie van Jaap Hiddink in mei 2000 in het gemeentehuis van Nunspeet. Kort daarna is Jaap Hiddink in zijn woning aan de Spoorlaan in Nunspeet overleden. Uit een zeer omvangrijk oeuvre wordt twintig jaar na zijn overlijden een overzichtstentoonstelling van zijn werk gepresenteerd.

Jaap Hiddink is de enige geboren en getogen kunstschilder in kunstenaarsdorp Nunspeet. De aanwezigheid van veel kunstenaars in het kleine dorp moet voor Hiddink een stimulans geweest zijn om zich te wijden aan de schilderkunst. Op jonge leeftijd wordt Jaap aangetrokken door de Nunspeetse natuur en hij begon al jong met tekenen en schilderen.

Eigen handschrift

Hiddink kende de schilders Arthur Briët en Jan van Vuuren, hij was ‘thuis’ op het atelier van Jos Lussenburg en hij trok er regelmatig met Ben Viegers op uit. Hiddink is duidelijk geïnspireerd door deze kunstenaars, maar het is hem als autodidact gelukt om een geheel eigen handschrift te ontwikkelen. Op groot formaat doeken bracht hij de verf aan met een brede toets en speelse penseelstreek in een kleurrijk palet. Hiddinks schilderijen zijn vaak uitbundig, vol van levenslust en intense beleving van de natuur of van zijn onderwerp.

Politiek actief

Het typeert Hiddinks levenshouding dat hij ook politiek actief was in Nunspeet. Hij behoorde tot de oprichters van de partij Gemeentebelang, was vier jaar gemeenteraadslid en daarna van 1966 tot 1973 wethouder. In deze periode zette Hiddink zich ook in voor de oprichting van de Vrije Academie voor de Kunsten Nunspeet.

Oproep

Hiddink is als kunstenaar nog altijd heel geliefd, vooral bij de inwoners van Nunspeet en omgeving. Het Noord-Veluws Museum deed begin oktober een oproep aan de bezitters van een schilderij van Jaap Hiddink. Dankzij de medewerking van al deze particuliere eigenaren is een representatief deel van Hiddinks rijke oeuvre bijeengebracht.

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Fré Drost, grafisch beeldkunstenaar

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Fré Drostzaal, t/m 19 september 2021

Freerk Johannes Drost (Groningen 1907 – Vierhouten 1987) wist op de middelbare school al een opdracht in de wacht te slepen om de PR te verzorgen voor een toneeluitvoering. Hij gebruikte daarvoor een grafische techniek, de linosnede. Zijn tekenleraar Jan Gerrit Jordens was een actief lid van de Groninger kunstkring De Ploeg die deze oude techniek in ere herstelde. Een ander Ploeglid, de bekende drukker Hendrik Werkman was door zijn experimenteren met kleuren en lettervormen eveneens een aanstekelijk voorbeeld voor Fré Drost.

Na een opleiding kunstnijverheid en leraar tekenen in Groningen begon Drost een eigen reclamebureau. Zijn eerste grote opdracht kwam in 1928 van een oom die in Elspeet een postkantoor runde. Fré ontwierp toen een toeristische brochure met uitneembare linoleumsneden.

Fré Drost als reclameontwerper

In de jaren ’30 maakte Drost carrière als reclameontwerper bij grote bedrijven als Joh. Enschede en Zonen en Unilever. Fré ontwierp affiches voor de NS en voor bloembollenkwekers en kalenders voor bedrijven als Werkspoor. De affiches vinden anno 2020 nog gretig aftrek.

Bij Unilever kreeg Drost in 1939 de taak om zorg te dragen voor de artistieke kwaliteit van reclamedrukwerk. Later organiseerde hij landelijk bedrijfsopleidingen in reclamevakken en nam daarin het onderdeel grafische kwaliteit voor zijn rekening. Het vrije tekenen en schilderen beoefende Fré Drost in zijn vrije tijd.

Belangrijke periodes voor zijn werk als kunstenaar vormden de Tweede Wereldoorlog en zijn dienst als reserveofficier in Nederlands-Oost Indië. In tijden van krijgsgevangenschap en ondergedoken zijn was hij veel aan het tekenen, schilderen en studeren. Van de verschrikkingen maakte hij een serie indrukwekkende tekeningen.

In 1968 kocht Fré Drost een huis op de grens van Vierhouten en Elspeet. Daar heeft hij in zijn pensioentijd vooral getekend en geschilderd.

Een drievoudig eerbetoon aan Fre Drost

Na zijn overlijden op 80-jarige leeftijd in 1987 is zijn omvangrijke archief door zijn weduwe ondergebracht in de Stichting Vrienden van de kunstenaar Fré J. Drost. Het Noord-Veluws Museum te Nunspeet ontving een selectie kunstwerken als schenking. De Stichting is een ook belangrijke sponsor van het museum.

Als drievoudig eerbetoon is een museumzaal op de eerste verdieping van het Noord-Veluws Museum naar Fré Drost genoemd, waar tot en met 19 september 2021 een expositie van zijn werk wordt gehouden.
Van de hand van auteur Harry Tijssen verschijnt bij Van Spijk Art Books een fraaie uitgave over deze markante graficus en kunstenaar.

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Vermoorde kunst

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Tot en met 29 november 2020 bieden het Noord-Veluws Museum en Museum Sjoel Elburg in een unieke samenwerking de tentoonstelling Vermoorde kunst met werk van ruim 25 joods Nederlandse kunstenaars die in de Tweede Wereldoorlog werden vermoord.

Tijdens de bezetting door nazi-Duitsland in de Tweede Wereldoorlog zijn veel joodse kunstenaars om het leven gebracht. Hiermee werd hen op brute wijze de gelegenheid ontnomen om verder kunst te creëren. Zo werden niet alleen de kunstenaars vermoord, maar uiteindelijk ook de kunst. Dit indringende thema is de aanleiding voor een bijzondere samenwerking tussen Museum Sjoel Elburg en het Noord-Veluws Museum Nunspeet in het jaar dat 80 jaar WOII en 75 jaar vrijheid worden herdacht.

In Museum Sjoel Elburg is werk te zien van het bekende kunstenaarsechtpaar Else Berg (1877-1942) en Mommie Schwarz (1876-1942). Twee verdienstelijke schilders die gevormd werden in de traditie van het 19de-eeuwse kunstonderricht, maar zich aangetrokken voelden tot de modernistische explosies in de kunst van begin 20ste eeuw en daarna steeds opnieuw probeerden een eigen stijl te vinden. Tijdens de bezetting weigerden zij de jodenster te dragen. Eind 1942 werden zij opgepakt en in Auschwitz omgebracht.

Het Noord-Veluws Museum presenteert ruim 100 schilderijen, aquarellen, grafiek en tekeningen uit belangrijke particuliere verzamelingen en uit verschillende museale collecties. De werken zijn van kunstenaars als Baruch Laguna (1864-1943), Meijer Bleekrode (1896-1943), Moos Cohen (1901-1942), Fré Cohen (1903-1943), Max van Dam (1910-1943), Salomon Garf (1879-1943), Abraham Fresco (1903-1942), Dinah Kohnstamm (1869-1942 ), Samuel Jessurun de Mesquita (1868-1944), Marinus van Raalte (1873-1944), Lion Schulman (1851-1943) en Jetty de Vries (1886-1942).

Doorwerken of niet, dat was de vraag waar kunstenaars, en vooral joodse kunstenaars, voor stonden in de Tweede Wereldoorlog. De één heeft ondergedoken min of meer doorgewerkt, de ander deed dat openlijk en weigerde onder te duiken of de jodenster te dragen. Sommigen namen deel aan illegale verzetsactiviteiten. Wat deze kunstenaars overkwam en wat zij beleefden is meestal niet terug te zien in hun werk. In de tentoonstelling is daardoor een grote diversiteit aan kunstwerken te zien, gemaakt door verschillende generaties kunstenaars die werkten in verschillende stijlen, van realisme en impressionisme tot expressionistisch modernisme. Wat hen bindt, is dat ze joods geboren waren en om die reden werden omgebracht.

Publicatie

Bij deze tentoonstelling verschijnt een rijk geïllustreerde gebonden uitgave met artikelen van oud-conservator van het Joods Historisch Museum, rabbijn Edward van Voolen en Linda Horn, auteur van de dubbelmonografie over Else Berg en Mommie Schwarz, onder de titel ‘Vermoorde kunst – werk van vermoorde joodse kun­stenaars’. De publicatie is uitgegeven bij Van Spijk Art Books en voor € 17,50 te koop in de museumwinkel van beide musea.

U kunt dit boek nu online bestellen. Zo steunt u het museum ook!

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Vermoorde kunst online

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Als gevolg van de beperkingen die voortvloeien uit corona maatregelen van de Rijksoverheid heeft het Noord-Veluws Museum een online expositie gemaakt met een selectie van de werken die in de expositie ten toon zijn gesteld. Klik op bovenstaande afbeelding om naar de expositie te gaan.

Kijkt u op een tablet? Klik dan op Enter Exhibition om de tentoonstellingsruimte binnen te gaan.

Kijkt u op een computer? Klik dan op Start Guided Tour of Enter Exhibition.

In de tentoonstellingsruimte treft u aanwijzingen in de Engelse taal om u zo goed mogelijk door de ruimte te leiden.

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Djurre P. Duursma, modernist op de Veluwe 1916-1920

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Fré Drostzaal, tot en met 6 juni 2022

Djurre Pieter Duursma (Amsterdam 1888-1965 Den Haag) vormt zichzelf als schilder na tekenlessen op de academie in Antwerpen. Zijn eerste schilderijen zijn impressionistisch van karakter, maar vanaf 1910 worden zijn werken uit Noord-Afrika fauvistisch. Van 1911 tot 1913 schildert Duursma met zijn vriend Harrie Kuyten ‘s zomers in Noorwegen en Zweden, waar hij zich laat beïnvloeden door de expressionist Edvard Munch. In 1916 sluit hij zich in Amsterdam aan bij de beweging De Anderen van Theo Van Doesburg en Erich Wichman. Zijn werk wordt abstracter, schilderijen krijgen geen titels, maar nummers.

Duursma’s verblijf in Vierhouten

In de zomer van 1916 opent Duursma een expositie van schilderijen en etsen in boerderij De Heikijk aan de Elspeterbosweg in Vierhouten. Adriaan Lubbers, een technisch tekenaar die zich graag wil ontwikkelen als beeldend kunstenaar, heeft Duursma en Leo Gestel te logeren gevraagd omdat hij weet dat ze vernieuwend bezig zijn. Violist Dirk Gootjes, lid van het Concertgebouworkest, is ook uitgenodigd vanwege zijn moderne stijl van musiceren.

Duursma maakt in die zomer in ieder geval twee schilderijen van een huisje op de heide, waarschijnlijk ook een werk met de titel ‘vliegende vogel’ en een werk met de naam ‘de kus’. Van Leo Gestel is niet bekend of hij in deze omgeving heeft geschilderd. Lubbers maakt er schetsen die hij later uitwerkt tot schilderijen en Gootjes verzorgt een concert in Nunspeet.

Duursma naar Speuld

In 1917 stuurt Duursma abstract werk in voor een tentoonstelling van De Onafhankelijken in Amsterdam. Op het begeleidende formulier staat als adres vermeld ‘Speuld bij Ermelo’. Daar heeft Duursma met twee andere schilders een schaapskooi ingericht als atelier. Hij richt de schaapskooi ook in als ‘herstellingsoord’ voor een verpleegster, getraumatiseerd door haar werk in Engelse hospitalen tijdens de Eerste Wereldoorlog.

Na 1920 specialiseert Duursma zich in het glas-schilderen en na 1930 bovendien in het ontwerpen en maken van meubels. Helaas is veel werk van Duursma verloren gegaan. Toch is in deze bescheiden presentatie te zien dat Duursma zich in korte tijd wist ontwikkelen tot een vernieuwend en veelzijdig kunstenaar. De expositie wordt aangevuld met werk van Leo Gestel, Adriaan Lubbers, Harrie Kuyten en Louis Saalborn.

Publicatie

Van de hand van Harry Tijssen is bij Van Spijk Art Books een rijk geïllustreerde publicatie verschenen over de bijzondere modernist Djurre Duursma. Deze uitgave is in de museumwinkel te koop voor slechts € 12,50.
U kunt het bestellen met dit formulier.

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Bravo! Gecertificeerden Vrije Academie Nunspeet 2020

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Noord-Veluws Museum, 31 oktober t/m 03 januari 2021

In november zal er in het Noord Veluws Museum (Fré Drostzaal) werk geëxposeerd worden van studenten die afgestudeerd zijn aan de Vrije Academie Nunspeet. Zij zijn het afgelopen voorjaar geslaagd voor hun certificaat, maar vanwege de situatie met het coronavirus zijn de uitreiking daarvan en de expositie uitgesteld.

We feliciteren de volgende studenten van harte met het behaalde resultaat!

Academisch Tekenen en Schilderen, docent Serob Darbinian: Annet Buter (Cum Laude) en Bep Breugem.

Schilderen, docent Gerben Koldijk: Astrid Spoelder, Anita Raaphorst, Barbara Teerlink en Jan Duineveld.

Kunst Ruimtelijk, docent Michel Bongertman: Riet Breembroek (Cum Laude).

Met dank aan Hans Verduin voor de foto’s.

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Blanche, Ima en Chrisje, wereldvrouwen op de Veluwe

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Blanche Douglas Hamilton (1852-1927) woonde en werkte zo’n dertig jaar in Elspeet, waar ze bekend werd als ‘de Engelse juffer’. Teylers Museum in Haarlem had zich ontfermd over haar artistieke nalatenschap. Het grootste deel daarvan schonk het eind 2017 aan het Noord-Veluws Museum. De schenking was een goede aanleiding om een boek over deze kunstenares te maken.

Uit een veelheid van bronnen diepte auteur Kees Verbeek tal van interessante en kleurrijke details op over Hamiltons leven. Daarbij doken steeds twee vriendinnen op, ook actief in deze hoek van de Veluwe: schilder en naaldkunstenaar freule Ima van Eysinga (1872-1958) en schilder Chrisje van der Willigen (1850-1931). Ook over deze twee vrouwen heeft Verbeek opmerkelijke gegevens gevonden. Alle drie schilderden niet alleen op de Veluwe, maar reisden veel en deden daar in hun werk verslag van.

Ter gelegenheid van de presentatie van het boek is deze expositie over de drie kunstenaressen in de RABO zaal te zien.

Boek ‘De juffer, de freule en de vrouwelijke vrouw’

‘De juffer, de freule en de vrije vrouwelijke vrouw’, geschreven door Kees Verbeek, is een rijk geïllustreerd boek van formaat geworden, met veel biografische wetenswaardigheden.

Deze fraaie gebonden uitgave is in de museumwinkel te koop voor € 44,50. 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Pictura Veluvensis – Het Veluwse landschap in beeld

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5 oktober 2019 t/m 15 maart 2020

Samenwerking van twee jubilerende musea

Dit najaar jubileren zowel het Noord-Veluws Museum (5 jaar) als Museum Veluwezoom (25 jaar), twee musea die een beeld geven van de kunstenaarskolonies op de zuidelijke en de noordelijke Veluwe. Een mooi moment op samen op te trekken. Museum Veluwezoom, gevestigd in Kasteel Doorwerth (bij Renkum), organiseert een jubileumtentoonstelling over schilders uit de periode 1900-1940 voor wie de Veluwe als inspiratiebron diende. Het Noord-Veluws Museum brengt een reprise van de expositie van kunstvereniging Pictura Veluvensis die in 1913 in Nunspeet te zien was.

Kunstenaarskolonies

Rond 1900 zijn Renkum en Nunspeet bloeiende kunstenaarskolonies. In Renkum wordt in 1902 zelfs een kunstvereniging opgericht: Pictura Veluvensis. Dat de ‘plein air’ schilders graag naar de Veluwe komen is niet zo verwonderlijk. Het is Nederlands grootste aaneengesloten natuurgebied en bestaat uit heel verschillende landschappen: heidevelden, stuifzanden, bossen, graanakkers, beekdalen, graslanden, waterpoelen en in het zuiden en oosten liggen de rivieren de Rijn en de IJssel.

Landschapsschilders in Museum Veluwezoom

De tentoonstelling in Museum Veluwezoom bestaat uit werken, die op de Veluwe zijn vervaardigd gedurende de periode 1900 – 1940, dezelfde periode wanneer de Renkumse kunstvereniging Pictura Veluvensis (1902-1935) actief is. Kunstschilders Théophile de Bock en Barend Ferwerda waren de drijvende krachten achter de kunstvereniging. Tot de schilders van Pictura Veluvensis horen onder anderen Charles Dankmeijer, Hendrikus van Ingen, Cornelis Kuypers, Xeno Münninghoff en Andries Verleur. Ter gelegenheid van het 25-jarig jubileum maakt Museum Veluwezoom een interessante combinatie van de schilders van de zuidelijke Veluwe met schilders die vooral op de noordelijke Veluwe werkten, zoals Arthur Briët, Marie Wandscheer, Jan van Vuuren, Edzard Koning, Ben Viegers en Jos Lussenburg.

Reprise van de Pictura Veluvensis expositie 1913 in Nunspeet

Pictura Veluvensis beperkte zich niet tot de Veluwezoom. Kunstenaars uit heel Nederland werden uitgenodigd om mee te doen met exposities in Renkum. In 1913 exposeerden de kunstenaars van Pictura Veluvensis voor het eerst buiten Renkum. Het gebeurt in Nunspeet, daartoe gestimuleerd door Edzard Koning, een kunstenaar die er woont en werkt en al vanaf 1906 meedoet aan de tentoonstellingen in Renkum. Anno 2019 herhaalt het Noord-Veluws Museum deze tentoonstelling. De schilderijen van de ruim 50 kunstenaars van toen zijn nu zo veel mogelijk van overal vandaan samengebracht tot een prachtig geheel. Daarop zijn vooral landschappen te zien, maar ook portretten en stillevens. Er zijn een aantal schetsboeken die laten zien hoe schilders geboeid raakten tijdens hun omzwervingen in de vrije natuur. Sommige kunstenaars beschilderden servies, maakten beelden van gips of illustreerden kinderboeken. Het jaar 1913 is in kunsthistorisch opzicht een interessant jaar. In deze tentoonstelling is te zien dat er nog geëxperimenteerd werd met nieuwe varianten op het impressionisme. De vele landschappen geven een prachtig zicht op de Veluwe van meer dan 100 jaar geleden.

Publicatie

In het kader van deze tentoonstellingen is een gezamenlijke jubileumpublicatie uitgebracht onder de titel ‘Pictura Veluvensis. Het Veluwse landschap in beeld’. Prijs € 7.50 in de winkel van het Noord-Veluws Museum en Museum Veluwezoom.

Museum Veluwezoom, 12 oktober 2019 – 26 januari 2020

In Kasteel Doorwerth: Fonteinallee 2B, 6865 ND Doorwerth (026) 339 7406
www.museumveluwezoom.nl

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Arthur Briët ‘Rembrandt van de Veluwe’

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23 maart t/m 29 september 2019

De op Java geboren Arthur Briët volgt vanaf 1884 zijn opleiding aan de Koninklijk Academie in Antwerpen waar hij een studiegenoot was van Vincent van Gogh. Briët sluit zijn kunstopleiding in 1888 af met de Prix d’ Excellence. Na een verblijf in Parijs, Italië en België vestigt hij zich in 1892 weer in Nederland. Hij ontdekt Nunspeet op een trektocht vanuit Laren. Vanaf 1893 is hij inwoner van Nunspeet, het kunstenaarsdorp dat zeer in trek was omdat de schilderachtige onderwerpen zich hier in ruime mate aandienden. Hij verblijft afwisselend op het Noord-Brabantse platteland, in Laren en in Nunspeet, waar hij zich ontwikkelt tot een gerenommeerd schilder van verstilde boereninterieurs.

De tentoonstelling geeft een overzicht van het werk van deze kunstenaar, die behalve intieme interieurstukken en sfeervolle landschappen, magistrale portretten schilderde. Briët dankt zijn bijnaam ‘Rembrandt van de Veluwe’ aan het feit dat hij net als zijn wereldberoemde voorganger met een sterk licht-donker contrast in zijn schilderijen werkt. Die speciale techniek is een belangrijk kenmerk van de stijl van Rembrandt, ‘clair-obscur’ genoemd, die weer geïnspireerd was door de bekende Italiaanse schilder Caravaggio. Ook in de hantering van zijn penselen is te zien dat hij veel had geleerd van Rembrandt. Briët combineert net zoals de grote meester zowel een naturalistische en impressionistische penseelstreek.

Briët woont tot zijn overlijden in 1939 in Nunspeet aan de rand van de Zoom. Daar staan de kleine armoedige huisjes van de dagloners, die het onderwerp vormen van zijn schilderijen. Om zelf de regie te houden over de opstelling voor een schilderij richt Briët een ‘schildershut’ op in zijn tuin, een replica van een zo’n boerenvertrek. Later koopt hij zo’n huisje en verplaatst het naar zijn tuin. Zo heeft hij dit huisje altijd als inspiratiebron voor de boerenbinnenhuizen, waarmee hij bekend geworden is. Briët exposeert zijn werk in binnen- en buitenland en verkoopt schilderijen in zowel Sint Petersburg als Parijs. In Nederland is werk van Briët te vinden in het Gemeentemuseum Den Haag, het Centraal Museum te Utrecht, het Drents Museum te Assen, het Singer Laren, het Noord-Veluws Museum en diverse andere musea.

Boek over Briët

In de tentoonstelling is een prachtige selectie kunstwerken van Arthur Briët te zien uit een tiental museumcollecties en ruim dertig privécollecties.

Bij de tentoonstelling verschijnt Van Spijk Art Books een monografie over Arthur Briët, geschreven door Williëtte Wolters-Groeneveld. Het boek is voor € 29,95 verkrijgbaar in de museumwinkel.

Bekijk hier de recensie van Omroep Gelderland en de bespreking van het werk van Arthur Briët door Piet van Eekelen.

De heer Germen Oosterhof heeft een studie gemaakt van het schilderij ‘Suusje kleden’. Lees zijn boeiende beschrijving op https://verf-en-inkt.blogspot.com/p/blog-page.html

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Zomer-expositie Marjolein Bastin

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dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”false” border_position=”all” first=”true” spacing_right=”” type=”1_2″][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”default” rule_size=”” rule_color=”” content_alignment_medium=”” content_alignment_small=”” content_alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” font_size=”” fusion_font_family_text_font=”” fusion_font_variant_text_font=”” line_height=”” letter_spacing=”” text_color=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]Voortbordurend op het succes van de Marjolein Bastin tentoonstelling in het Noord-Veluws Museum wordt in de zomermaanden juli en augustus in het lokaal aan de voorzijde van de Vrije Academie een expositie ingericht met 30 originele aquarellen van Marjolein Bastin. De aquarellen zijn speciaal geselecteerd rond de thema’s ‘zomer’ en ‘Veluwe’. Hiermee krijgen bezoekers van Nunspeet, met name toeristen, deze zomer nog de gelegenheid van haar unieke werk te genieten. Marjolein Bastin wordt haar hele leven al gegrepen door de schoonheid van de natuur. Zij brengt met haar schitterende tekeningen al meer dan veertig jaar de natuur dichtbij de mensen, onder andere via haar vaste rubriek in het weekblad Libelle. Bastins werk is internationaal bekend geworden, haar wenskaarten gaan de hele wereld over. Ook aan de kinderen is gedacht, speciaal voor hen krijgt het beroemde Vera de Muis huis een plek in het prachtige oude schoolgebouw dat dateert uit 1904.

Zomer-expositie Marjolein Bastin is van dinsdag 2 juli t/m zaterdag 31 augustus 2019 te zien in de Vrije Academie, met toegang aan de Stationslaan 28, Nunspeet. Openingstijden: dinsdag, donderdag, vrijdag en zaterdag van 13.00 en 17.00 uur. De entree is gratis.[/fusion_text][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_2″ align_self=”auto” content_layout=”column” align_content=”flex-start” content_wrap=”wrap” spacing=”” center_content=”no” link=”” target=”_self” min_height=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” type_medium=”” type_small=”” order_medium=”0″ order_small=”0″ dimension_spacing_medium=”” dimension_spacing_small=”” dimension_spacing=”” dimension_margin_medium=”” dimension_margin_small=”” margin_top=”” margin_bottom=”” padding_medium=”” padding_small=”” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” hover_type=”none” border_sizes=”” border_color=”” border_style=”solid” border_radius=”” box_shadow=”no” dimension_box_shadow=”” box_shadow_blur=”0″ box_shadow_spread=”0″ box_shadow_color=”” box_shadow_style=”” background_type=”single” gradient_start_color=”” gradient_end_color=”” gradient_start_position=”0″ gradient_end_position=”100″ gradient_type=”linear” radial_direction=”center center” linear_angle=”180″ background_color=”” background_image=”” background_image_id=”” background_position=”left top” background_repeat=”no-repeat” background_blend_mode=”none” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_type=”regular” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″ last=”true” border_position=”all” first=”false” type=”1_2″][fusion_imageframe image_id=”3858|full” max_width=”” sticky_max_width=”” style_type=”” blur=”” stylecolor=”” hover_type=”none” bordersize=”” bordercolor=”” borderradius=”” align_medium=”none” align_small=”none” align=”none” lightbox=”no” gallery_id=”” lightbox_image=”” lightbox_image_id=”” alt=”” link=”” linktarget=”_self” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” class=”” id=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=”” filter_hue=”0″ filter_saturation=”100″ filter_brightness=”100″ filter_contrast=”100″ filter_invert=”0″ filter_sepia=”0″ filter_opacity=”100″ filter_blur=”0″ filter_hue_hover=”0″ filter_saturation_hover=”100″ filter_brightness_hover=”100″ filter_contrast_hover=”100″ filter_invert_hover=”0″ filter_sepia_hover=”0″ filter_opacity_hover=”100″ filter_blur_hover=”0″]https://www.noord-veluws-museum.nl/wp-content/uploads/2019/06/Distelvinken-2013-C-Marjolein-Bastin-e1595855413142.jpg[/fusion_imageframe][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]